Drama

Creating Scripts from the Bible

The Bible is a rich source of dramatic material for worship. From medieval tropes to contemporary sketches, this workshop surveyed the ways people have adapted scripture for performance and then formed groups to create original scripture plays.

January 1, 2009
The Drama of Liturgy

What role can drama play in the various elements of liturgy? Drama has been used to introduce sermon topics or themes of worship, but there are even more possibilities. This session explored how drama can enhance the call to worship, confession and assurance, proclaiming the word, offering, and sacraments.

January 1, 2009

Let Story Form Your Worship: Old Testament and lectionary dramas

Here are two church worship drama models based on Bible texts. Part of a feature story exploring dramas based on the Old Testament and lectionary texts.

April 5, 2007
Base Worship Drama on the Lectionary

In contrast to Jeff Barker, who often presents Old Testament passages as brief plays or mimes in place of or during the sermon text, John Steven Paul writes liturgical plays long enough to replace the sermon.

April 5, 2007
Let Story Form Your Worship: Old Testament and lectionary dramas

Here are two church worship drama models based on Bible texts. Part of a feature story exploring dramas based on the Old Testament and lectionary texts.

April 5, 2007

Base Worship Drama on the Lectionary

In contrast to Jeff Barker, who often presents Old Testament passages as brief plays or mimes in place of or during the sermon text, John Steven Paul writes liturgical plays long enough to replace the sermon.

April 5, 2007
Biblical Storytelling: Learning scripture by heart

Biblical storytelling reconnects worshipers with the communal experience of hearing God together. A feature story exploring biblical story telling and learning the scriptures by heart.

February 9, 2007

A Tale of Three Churches: Using Drama in Worship

In this article that appeared in Reformed Worship magazine, Todd Johnson explores using drama in worship. To do this, he presents three fictitious churches that represent different worship traditions. Describing each church, he explores the ways the different churches can incorporate drama into their services.

March 1, 2006