Current and Past Grants

University of Arkansas

Jeffrey Allen Murdock

To encourage more inclusive and vibrant worship experiences for Christian communities by developing resources for Black sacred music programs about the historical and cultural influences on the genre, then equipping sacred music scholars and practitioners to diversify worship music selections, educate congregations, and perform Black sacred music in a variety of contexts.   

University of Notre Dame

Jonathan J. Hehn

To foster appreciation for the worship practices of Presbyterian and Reformed Christians around the world through an anthropological study of Korean and Taiwanese Presbyterian liturgical practices and the dynamic exchange between those church communities and their North American siblings.

University of Notre Dame Folk Choir (2024)

J. J. Wright

To create and workshop an original musico-dramatic composition and production of five scenes from resurrection accounts to enable undergraduate students in the Folk Choir to contemplate healing and forgiveness.

Vertical Ministries

To promote multigenerational collaboration and address a development gap for young worship leaders by developing a worship leadership training program.

Village Church

To create a network of reflective practitioners of multicultural worship in the North American context who will learn from and support each other and discern a set of best practices that will result in a set of published resources.

Westminster Presbyterian Church (2024)

To build Christ-centered unity amid a fractured and polarized society by teaching about and promoting shared foundational Christian practices, including the sacraments, the Lord’s Prayer, and the engagement of scripture.

Wheaton College

Donté Ford

To uplift the hymnody of twentieth-century Holiness reformer and prolific hymn-writer Bishop Charles Price Jones, and to reinvigorate its use within and beyond the Black Church through crafting arrangements and featuring them at choral clinics, thus enriching the historical, cultural, and theological breadth of local church choir music and congregational song.

Wheaton College

Donté Ford

To uplift the hymnody of twentieth-century Holiness reformer and prolific hymnwriter Bishop Charles Price Jones and to reinvigorate its use within and beyond the Black church by crafting arrangements and featuring them at choral clinics, thus enriching the historical, cultural, and theological breadth of local church choir music and congregational song.

ZionQuest Fellowship

To revitalize the worship experience in three congregations who share the same worship space by expanding the use of worship arts and musical forms so that all may engage in worship that is healthy, vital, and spiritually engaging.

A Place in the Conversation

To engage ten congregations in developing a tool that encourages each to move beyond speaking primarily about personal preferences in worship and to embrace deeper ways of speaking about each congregation’s unique strengths and callings. 

A Rocha

To implement a mentoring program for worship pastors that focuses on developing liturgical and everyday worship practices to encourage creation care as a way of loving our neighbors and God our creator.

Anabaptist Mennonite Biblical Seminary

Katie Graber

To help communities critically engage questions about why we sing diverse music and how we can do it justly by collaboratively creating a hymnal companion-style volume that aids North American communities as they sing songs from around the world.