1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University and Calvin Theological Seminary
© 2024 Calvin Institute of Christian Worship
Your congregation can make worship the work of the people when you use their words in worship. The hymnku form—haiku poetry set to music—works for in-person, hybrid, and online worship and can involve many ages.
First Christian Reformed Church of Toronto, Ontario, planned a worship grant connecting color and the liturgical year. They invited the congregation into the biblical story by collaborating on a permanent artwork. Then the pandemic prevented them from entering the church building. The landscape architect and the architect who led the grant say that this pivot turned out to be a good thing.
The service of Tenebrae, meaning “darkness” or “shadows,” is a prolonged meditation on Christ’s suffering. Readings trace the story of Christ’s passion, music portrays his pathos, and the power of silence and darkness suggests the drama of this momentous day. As lights are extinguished, we ponder the depth of Christ’s suffering and death; we remember the cataclysmic nature of his sacrifice as we hear the overwhelming sound of the “strepitus”; and through the small but persistent flame of the Christ candle which departs until Resurrection morning when we celebrate the ultimate victory.
Since the mid-1980s, Mary Aluel Garang's theologically rich hymns have helped Sudanese Christians maintain faith and hope in God despite decades of war, conflict, and hardship. Her songs are known and sung beyond her Dinka people, her Episcopal tradition, and her nation of South Sudan.
Meeting Dinka Christians and musicians decades ago in East Africa made a lasting impression on Karen Campbell, a pastor and musician. She reflects on what we can learn about God through the lens of other cultures.
During decades of Sudanese civil war, the Jol Wo Lieech song ministry and Thiec Nhialic prayer ministry gave refugees and refugee congregations a sense of family and purpose. Both still work to unite Christians, whether or not they belong to the Dinka tribe or still live in South Sudan.
Accompanying people on their faith journey is an art that can be learned, according to Pope Francis. When St. Thomas More Catholic Community committed itself to the art of accompaniment, it learned principles that nearly any worship community can apply, Catholic or not.
Convictions and suggestions for planning public Christian worship services that welcome and make room for all
Au Sable Institute developed its Liturgies of Restoration workbook to help university students in summer field science courses connect Christian worship and creation care. Now small groups and churches are using the workbook to cultivate habits of worship, community, earthkeeping, purposeful stewardship, and hope.
Brandon Helder's elementary students and his own children responded to tactile Jesse Tree devotionals during Advent, but he couldn't find similar Holy Week resources. To help children and families anticipate Easter, Helder wrote The Gift of the Cross: Celebrating Christ Through Holy Week and designed Resurrection Blocks.
A worship service led by Darrell Delaney, and Nate Glasper Jr. on Matthew 5:11-12, “Blessed are you when people insult you, persecute you and falsely say all kinds of evil against you because of me. Rejoice and be glad, because great is your reward in heaven, for in the same way they persecuted the prophets who were before you.” We give special thanks to André Thomas for his contributions as a consulting director and his encouragement of our student musicians.
Marking the kingship of Christ makes a healthy transition that leads directly from Ordinary Time into Advent, the Christmas cycle, and the remainder of the Christian year.
